Pop Filter Maintenance – When not in use, keep your pop filter in a safe, secure place. Note that some pop filters can easily tear, so you’ll certainly need to store them properly so that they last. Keep your pop filter free of dust and debris.
Pop Filter for Blue Yeti Microphone Buyers Guide
Mic Cover Vs. Shield?
Are you singing, speaking, or recording a musical instrument? Is it for live broadcasting use? Maybe you need something, which strongly filters as you go, as post editing is not an option. Will you be interviewing? If so, you will likely need something with permanent large coverage or you will have to sit uncomfortably close together to share the microphone.
Next you need to consider your desired outcome. How pristine do you want your audio files to sound? Are you a budding artist trying to compete to get your song heard by industry legends? Or would the natural ambiance of the crickets chirping compliment your documentary narration.
Pop Filter Materials
Mesh pop shield style filters offer a double, sometimes even triple point system, of managing sound. It is a systematically proven sound quality enhancing technique. I will explain a little more of the science behind the concept in the following section. If you have any inclination to use your studio mic outdoors you will need the foam to counter wind interference, which can change direction at a moments notice. Please read on for a more detailed explanation of what to look for in a foam filter.
What Is a Pop Filter?
Used extensively within the recording industry, things are rarely captured these days on microphones without some sort of pop shield or studio mic cover.
Pop-shields, named after the popping spikes in sound, which they were made to thwart they typically feature multiple layers, which the sound wave is, forced to travel through before reaching the mic.
This very effectively absorbs the shock of the initial wave hitting the pop filter and defending the microphone. For a minute fraction of a second the sound is trapped between the two surfaces coercing the wave to spread out and disperse. This means further away sounds in the room are less likely to filter through to the recordings.
As previously mentioned there are several letters in the alphabet who are the culprits responsible for producing these undesirable popping sounds; B, C, D, G, K, P, Q, and T are letters we produce with strong emphasis that can’t really be softened sufficiently in a natural manner. S can also be an incredibly problematic sound producing a high frequency hiss, which is known as sibilant noise. It is a sound that is apparent in those with lisps but microphones detect such subtle changes in the space around them they can give lisps to the most eloquent speakers.
So unless we want to tax our brains writing scripts and songs that contain none of the above letters our recordings are likely going to suffer in quality.
Do you need a Pop Filter For Blue Yeti?
The Blue Yeti microphone is a superb example of this with its four unique pattern settings and Tri-Capsule recording technology; it captures a clear recording with a professional degree of accuracy.
It has a frequency response of between 20HZ and 20kHZ so it responds very quickly and picks up a range of low and high-end sounds.
When using a sensitive microphone such as the Blue Yeti model it becomes increasingly prudent to put something into place to ensure you are only recording what you intend to capture, and that you are deadening plosive popping sounds, as the level of distortion will be higher than a recording with a cheap lapel or mobile phone mic.
The Blue Yeti mic has been fabricated to provide an expert level of sound quality to the masses. After purchasing a product that offers such abilities and the opportunity to create professional sounding recordings, you would be doing yourself an injustice not to get a Blue Yeti pop filter.
What Foam Pop Filter For A Blue Yeti Mic?
If you decide to go with foam as opposed to a fabric or metal mesh you want to make sure it is sponge-like and airy.
Denser foams have the tendency to obscure the sound somewhat. They can make the volume level received by the mic lower, requiring more gain which can lead to feedback issues and distortions again. Something lighter weight and breathable is preferable.
The Blue Yeti is an unparalleled USB microphone with patterns to choose from suited to different recording tasks that would be a benefit you would lose with too much filtering before initial capture.
Purchasing a Pop filter for your Blue Yeti mic that you are happy with boils down to a number of important factors. Most of us are striving for better sounding production so undoubtedly we are going to have a few obstacles to overcome. For instance unavoidable outside influences like shirt rustling, wind blowing, and becoming ever so slightly out of breath during that last segment. Understanding the importance and challenge of preventing and canceling out background distractions is just the first step to perfecting our recording skills. With so many choices for fewer than 25 bucks, you would be mad not to explore a few options if you are serious about your sound. Ultimately deciding which is the best pop filter for a Blue Yeti mic (or any other mic for that matter) will be left to individual preference but one thing is for sure if you want your audience to enjoy listening a pop filter of some sort is an essential item for clear professional audio production.
Some studios set-ups incorporate both sponge/foam mic covers along with standard pop shields for optimal filtering, however, they typically use very high-end condenser mics with the top of the range accurate pickups, so are able to maintain clarity without muffling.
Did you know?
In a pinch, you can knock up a DIY pop filter shield with a wire coat hanger and a pair of thick, denier tights. It certainly won’t give you an ideal audio finish but perhaps, it could give you an idea of how much a pop shield can enhance recording outputs. A manufactured pop shield will obviously improve tenfold but it is one way to sort of try before you buy! Read more microphone basics here.